The tradition continues. Here are more Friday Questions.
When an audience sitcom does a double-length episode - like Frasier's 'Three Dates and a Break Up' or 'Shutout In Seattle' - are both parts recorded in the same night, or does it still take two weeks to shoot?
Sometimes they are. You need a quick director and a good cast willing to learn twice as much dialogue. Jim Burrows used to do two-parters on CHEERS in one night. Andy Fickman recently did a two-parter of KEVIN CAN WAIT in one night.
Other times the shows will be filmed in two weeks. As a director I’ve never filmed two shows in one night. But I’m sure not Mr. Burrows or Mr. Fickman.
There is another method called a Wrap Around. You break down one episode into scenes and after filming an episode in front of the audience you piggyback one additional scene from that other script. After six or seven weeks you’ve cobbled together an extra show.
TAXI used to do this. There would be wrap around scenes at the beginning and end where the characters would be at a bar. Example: They all got fired, all got new jobs, and reconnected to catch up on each other’s lives. Then each vignette was shown. That way only one actor per week had an additional scene to rehearse and learn. Eventually that story was put together as a two-parter.
How do multicamera sitcoms handle the use of recurring sets that are used over and over again, although infrequently? For instance, Frasier's bedroom looks almost the same both early in the show's run and later. Others that come to mind are Melville's on Cheers and Nemo's restuarant on Everybody Loves Raymond. Are these sets that are created once and recycled back onto the stage, as needed? Or are they created new every time the script calls for it?
The studio has a warehouse where these sets are stored. They’re folded up and transferred to these cavernous structures. Paramount’s was way up in Valencia somewhere. Trucks transport the sets in the wee small hours.
Certain sets, like restaurants, get redressed. So the Italian restaurant you see on NCIS becomes a French restaurant on NCIS: LOS ANGELES.
Johnny Walker has a question after listening to my podcast. Have you listened? Right under the masthead is a big gold arrow. Just click on it. Thanks Johnny, I was able to sneak in a plug.
Just listened to episode 14, and now I have some Friday Questions :)
- Have you ever had any blowback from a comment you made on the air? Was the wife of one of the players listening while you slagged off her husband and it got back to them? (Sorry if you've answered that before!)
In the minors once I had a pitcher approach me furious over what I had said about him the night before. He claimed I announced his age was 30. He was right. I did do that. But it was because he WAS 30. Still, he shouted, I had no business telling people that. The irony of this story is that he became my best friend on the team.
There have been stories in the minors of players so pissed at announcers that they actually go up to the booth, in uniform, to beat the shit out of them. In almost all cases, sanity returned and the announcer escaped serious injury. But still. Yikes.
My first year with the Mariners I was calling the third inning and noticed we hadn’t scored a run in the third inning in weeks. So I started calling it the “third inning of death.” Ken Griffey Jr. heard about it and one day at the batting cage he was giving me shit. I said I would stop doing it when they scored a run. He said they were going to score six runs that night in the third inning. But if they did I had to shave my head. I happily took that bet, got Kenny to record a bit for it that I played on the air and then told my audience about it at the start of the inning.
The first two Mariners get on base. Jr. pops out of the dugout and points up at the booth at me. Then the next guy strikes out and guy after him hits into a doubleplay. End of inning. As Kenny took his position in centerfield I stood up and ran my fingers through my long hair.
I don’t think they ever scored six runs in the third inning.
And finally, from Ed:
Bob Miller, long-time LA Kings broadcaster, ended his career on (this month). I know you're not a "hockey guy" but are a sports fan and have been connected to the LA sports broadcasting scene. Any comments on his career? It's not just the end of his era - it's the end of an era where your market had Vin Scully, Chick Hearn and Bob Miller all serving as the broadcast voices of LA teams.
I’m sure he’ll approach retirement like everything else – with zeal and vigor. Thanks, Bob, for thrilling calls and warm companionship.
What’s your Friday Question?